SET SUBJECT RULES
For the Competition year of August 2024 to June 2025, Set Subject are a component of the monthly competitions.
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There will be 5 set-subject challenges each year due in September, November, February, April and June.
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The images may only be EDI.
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The Set Subject EDI's must have been photographed within the previous 12 months of the competition month.
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​Each member may submit two EDI entries for each competition month.
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They will now be part of the monthly competitions.
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There will be A or B Grade scoring as per regular Open entries.
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This set subject challenge will now have aggregate points awarded. Set Subject images can only be included in an End of Year portfolio if they have been entered into a monthly competition during the competition year.
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***** 2 EDI entries per person per Set Subject competition *****
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* EDI's must be sent via the Entry Form in the Competition webpage.
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SET SUBJECT TOPICS 2023/24
SET SUBJECT COMPETITION
CHALLENGE DATE | DATE DUE | SUBJECT TOPIC |
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NOVEMBER 2024 | OCTOBER 2nd | Maximalism |
FEBRUARY 2025 | JANUARY 22nd | Calm |
APRIL 2025 | MARCH 5th | Below The Knees |
JUNE 2025 | MAY 7th | Black & White at Home |
SEPTEMBER 2025 | AUGUST 6th | Rear View |
NOVEMBER 2025 | OCTOBER 1st | Slow Shutter |
​ Please send your Set Subject EDI entries via the Competition Entry Form
SET SUBJECT DESCRIPTIONS 2024/25
The following describes each of the Set Subject Topic to provide guidance, examples and some boundaries for the set subject. Note that it is at the discretion of the Competition Secretary whether a submitted image meets the guidelines., i
t is
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MAXIMALISM -
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Maximalism art is characterised by the use of bold, vibrant colours, and or intricate patterns, and or an abundance of detail.
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It contrasts with minimalism by embracing complexity, layering (the assembly of physical artefacts or colour but not multiple exposures or a Photoshop activity) and excess. It can best be summarized as "more is more", contrasting with the minimalist motto "less is more".
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It aims to aesthetically deliver a feeling of sensory overload.
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CALM -
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Slow down and breathe… capture your moment of calm;
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It can be something that gives a sense of calm - a sleeping child or pet, a book, a wine, a moment in the sun, feet in the sand, an embrace; it could be an object like burning candles, etc.;
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Specific colours, such as blues and greens, have a calming influence on our mood and when outdoors around water or trees these hues evoke feelings of peace and happiness;
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High key images and images with a lot of negative space can also convey a sense of calm.
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These are just a few thought-starters for you to create your own story of calm.
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BELOW THE KNEES -
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How often do we stop to look down - below knee-level? Well there’s a hidden world of photo opportunities there.
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It’s up to you to get out there, get yourself down on your knees and have a look at the world from a different perspective.
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Great opportunity to take landscapes from a different viewpoint.
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Look at a garden from ground level.
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Watch people walking by from a different perspective.
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Don’t think about it - just have a go. If yours knees aren’t what they used to be then just sit down (and have someone there to help you up again) - or be creative from the bottom of a flight of steps or stairs.
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BLACK & WHITE at HOME -
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An excellent opportunity to look at your dwelling space - minus colour. (Think of Leo Tancredi’s photos of coffee cups and glassware).
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Shadows will play a big part in this set subject.
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Angles and lines are everywhere inside our homes as are textures, objects for a still life and opportunity to explore the elements of design like repetition, rhythm, juxtaposition.
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REAR VIEW -
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We always look at the front view of things - but what do they look like from behind?
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Great opportunity to photograph people as they walk away from you. Photographing people from behind can tell a powerful story.
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Look behind well-known buildings, experiment with your car’s rear view mirrors.
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SLOW SHUTTER -
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Self-explanatory - but think outside the square. By all means photograph the sky, the ocean, people walking by, but look at other moving things and see the possibilities.
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Maybe set up your own S/S scenario! (This is not ICM - you will need a tripod or somewhere to rest your camera to capture slow-shutter speed, capture the movement blur - not create it).
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